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Conductor and Musical Director of the Opera Department, Theater Basel

“The ingenuities of the Basel production would count for little were it not so well conducted… Thomas Wise’s musical direction was idiomatic and pointed; he knew how to keep orchestra and chorus coordinated and precise…”

-David Savran, Kurt Weill Newsletter, Spring 2023, writing about Kurt Weill’s “Lady in the Dark” at Theater Basel

Thomas Wise is one of the most versatile musicians working in opera and music theatre today. A conductor whose artistic lineage runs from Bartók's last pupil at Juilliard to the freshly drying ink of world premieres, his collaborators include Philipp Stölzl, Barrie Kosky, Herbert Fritsch, and Antú Romero Nunes.

 

Trained at the Interlochen Arts Academy, the Juilliard School, the Cologne Musikhochschule, and in London, he commands a stylistic range that encompasses baroque opera, the core operatic repertoire, Weimar-era music theatre, and the most demanding new works of our time.

 

As Musical Director of Opera at Theater Basel since 2021, where his tenure has been marked by world premieres, standing ovations, and international co-productions, he now enters his most expansive artistic chapter.

Opera repertoire

Ades – Powder Her Face

Beethoven – Fidelio

Bellini – La Sonnambula

Benatzky – Im Weißen Rössl

Berg – Lulu, Wozzeck

Berio – La Vera Storia

Bernstein – Candide

Bizet – Carmen

Bizet – Les Pecheurs des Perles

Bock – Fiddler on the Roof

Britten – A Midsummernight´s Dream

Delibes – Lakmé

Donizetti – Don Pasquale, L´Elisir d´Amore, Lucia di Lammermoor

Dvorak – Rusalka

Gluck – Orfée et Euridice

Gounod – Faust

Händel – Alcina, Belshazzar, Jephtha

Händel – Rinaldo

Hartmann – Simplicius Simplicissimus

Henze – We come to the River

Hindemith – Cardillac, Trilogie* (Mord, Hoffnung der Frauen, Sancta Susanna,Das Nusch-Nuschi)

Humperdinck – Hänsel und Gretel

J. Strauss – Die Fledermaus

Janacek – Katja Kabanová

Kagel – Der Mündliche Verrat

Lortzing – Der Wildschütz

Massenet – Thaiis

Milhaud – À propos de bottes, Un peu d’exercice

Mozart – Cosí fan tutte, Die Entführung aus dem Serail, Don Giovanni, Idomeneo

La Finta Giardiniera, Le Nozze di Figaro, Die Zauberflöte

Poulenc – Dialogues des Carmelites

Prokofiev – Die Liebe zu den Drei Orangen

Puccini – La Bohème, Madame Butterfly, Tosca

Puccini – Manon Lescaut, Turandot

Rossini – Il Barbiere di Seviglia*, L´Italiana in Algeri

R. Strauss – Elektra, Der Rosenkavalier, Salome

Schleiermacher – Kokain

Schreker – Der Ferne Klang

Strawinsky – The Rake´s Progress

Tschaikowsky – Evgeny Onegin, Pique Dame

Verdi – Giovanna d´Arco

Verdi- Un Ballo in Maschera, Don Carlo, La Forza del

Destino, Otello, La Traviata, Rigoletto, Jerusalem

Vivaldi: Orlando

Wagner – Lohengrin, Parsifal,Tannhäuser

Wagner – Tristan und Isolde

Weber – Der Freischütz

Weill – Aufstieg und Fall der Stadt Mahagonny

Weill - Lady in the Dark

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